Bach Bibliography
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Author : Morrow, Mary Sue
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Morrow, Mary SueGerman music criticism in the late eighteenth century. Aesthetic issues in instrumental music. Cambridge: Cambridge University Press, 1997. xiii, 253p. ISBN: 0 521 58227 X. 1997 xiii, 253p
2. Morrow, Mary SueReclaiming the eighteenth-century symphony. [ce]18cSymphony 2012 3-17
3. Morrow, Mary SueHistoriography of the eighteenth-century symphony. [ce]18cSymphony 2012 18-39
4. Morrow, Mary SueEighteenth-century viewpoints. [ce]18cSymphony 2012 40-74
5. Morrow, Mary SuePatrons and practices. [ce]18cSymphony 2012 75-99
6. Morrow, Mary SueCarl Philipp Emanuel Bach. [ce]18cSymphony 2012 280-298
7. Brown, A. Peter; Morrow, Mary Sue; Churgin, Bathia (eds.)The eighteenth-century symphony. Bloomington, IN: Indiana University Press, 2012. xvii, 897p. ISBN: 0-253-35640-7; 978-0-253-35640-6. (= The symphonic repertoire; No. 1) [ce]18cSymphony 2012 xvii, 897p
8. Morrow, Mary Sue (ed.)Music in eighteenth-century culture. [Sixth Biennial Conference of the Society for Eighteenth-Century Music and the Haydn Society of North America (2014) : Bethlehem, PA] - Ann Arbor, MI, United States: Steglein Publishing, 2016. xiii, 206p. ISBN: 978-0-9982213-1-1; 0-9982213-1-7. [cr]Bethlehem2014 2016 xiii, 206p
9. Morrow, Mary SueThe clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. DeClavicordio 4 2000 87-94
10. Morrow, Mary SueGrundlegende Aspekte der deutschen Musikkritik um 1800. LeipzigMStadt 2bis 2007 82-90

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